Sculpture Options

This year there are 21 sculptures to choose from for proposals. Listed alphabetically by sculptor, they are: Rondo VI by Bruce Beasley, Pitchfork Lightning by Susan Pulman Brooks, Sinjin by Zero Higashida, Cloud Swing by Isometric Studios, Spartan by Berj Krikorian, Where is Geometry by Peter Lundberg, Cuckoo's Nest by Zoran Mojsilov, Hillary by Robert Murray, Skyhook by John Newman, Beast by Karen Petersen, Split Ritual II by Beverly Pepper, Space, Conquer or Die – Swiatowid by Andrzej Pitynski, Schatz's Spaceship (Inspired by The Oloid) by E.C. Powel, Converge: Gharaib Bag by Michael Rees, Sumo by Ernest Shaw, Arch II by Elizabeth Strong-Cuevas, Standing Vase with Five Flowers by James Surls, Three Graces by Toshiko Takaezu, Three Indeterminite Lines by Bernar Venet, Resting Place by Roy Wilson, & Hawthorne Tree II by Isaac Witkin. Pictures and details are below. Due to amount of content, page may take time to fully load. Please be patient and take the time to look at all the works.
Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos.
In addition to descriptive details about the work, where possible, we have included artist websites and an embedded link to more information on the specific sculpture.
You may have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask.
Admission fee to the park is always waived for your rehearsal times there. Artists are expected to be on site at least 2 times before the festival.
Ground For Sculpture's Interactive Site Map can be found here.
Please contact us with any questions or concerns, including additional accessibility information: contact@theoutletdanceproject.com.

***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 7, 2023. Any use of the images outside of that realm are strictly prohibited.***

Rondo VI by Bruce Beasley Large and fairly flat area of grass around this looping stainless steel sculpture. Possible to move through with a relatively fair amount of ease. Bruce Beasley, Rondo VI, 2017, stainless steel, 154 in x 208 in x 137 in, courtesy of the Artist. www.brucebeasley.com #804 on map.
Rondo VI by Bruce Beasley Large and fairly flat area of grass around this looping stainless steel sculpture. Possible to move through with a relatively fair amount of ease. Bruce Beasley, Rondo VI, 2017, stainless steel, 154 in x 208 in x 137 in, courtesy of the Artist. www.brucebeasley.com #804 on map.
Rondo VI by Bruce Beasley Large and fairly flat area of grass around this looping stainless steel sculpture. Possible to move through with a relatively fair amount of ease. Bruce Beasley, Rondo VI, 2017, stainless steel, 154 in x 208 in x 137 in, courtesy of the Artist. www.brucebeasley.com #804 on map.

Pitchfork Lightning by Susan Pullman Brooks This piece is near the lake, the main walking path, and a small bamboo grove. Mulch covers the ground. Space would allow for a smaller group of dancers not a large ensemble. Susan Pullman Brooks, Pitchfork Lightning, bronze, 120 x 20 x 20 n, Courtesy of the Artist. #619 on map. smpbrooks.com
Pitchfork Lightning by Susan Pullman Brooks This piece is near the lake, the main walking path, and a small bamboo grove. Mulch covers the ground. Space would allow for a smaller group of dancers not a large ensemble. Susan Pullman Brooks, Pitchfork Lightning, bronze, 120 x 20 x 20 n, Courtesy of the Artist. #619 on map. smpbrooks.com
Pitchfork Lightning by Susan Pullman Brooks This piece is near the lake, the main walking path, and a small bamboo grove. Mulch covers the ground. Space would allow for a smaller group of dancers not a large ensemble. Susan Pullman Brooks, Pitchfork Lightning, bronze, 120 x 20 x 20 n, Courtesy of the Artist. #619 on map. smpbrooks.com

Sinjin by Zero Higashida Sculpture sits near a grove of trees and close to the walking path. Grass is a bit patchy. Has a circular base covered with fine gravel and mulch just a bit larger than the work. Zero Higashida, Sinjin, 2005, stainless steel, 69 in x 75 in x 44 in, Collection of the Artist. #544 on map. www.zerohigashida.com
Sinjin by Zero Higashida Sculpture sits near a grove of trees and close to the walking path. Grass is a bit patchy. Has a circular base covered with fine gravel and mulch just a bit larger than the work. Zero Higashida, Sinjin, 2005, stainless steel, 69 in x 75 in x 44 in, Collection of the Artist. #544 on map. www.zerohigashida.com
Sinjin by Zero Higashida Sculpture sits near a grove of trees and close to the walking path. Grass is a bit patchy. Has a circular base covered with fine gravel and mulch just a bit larger than the work. Zero Higashida, Sinjin, 2005, stainless steel, 69 in x 75 in x 44 in, Collection of the Artist. #544 on map. www.zerohigashida.com
Sinjin by Zero Higashida Sculpture sits near a grove of trees and close to the walking path. Grass is a bit patchy. Has a circular base covered with fine gravel and mulch just a bit larger than the work. Zero Higashida, Sinjin, 2005, stainless steel, 69 in x 75 in x 44 in, Collection of the Artist. #544 on map. www.zerohigashida.com
Sinjin by Zero Higashida Sculpture sits near a grove of trees and close to the walking path. Grass is a bit patchy. Has a circular base covered with fine gravel and mulch just a bit larger than the work. Zero Higashida, Sinjin, 2005, stainless steel, 69 in x 75 in x 44 in, Collection of the Artist. #544 on map. www.zerohigashida.com

Cloud Swing by Isometric Studios These pictures are mock-ups of the sculpture. The work is currently being installed at GFS. "Cloud Swing is a sculpture designed to inspire a world in which public art and play invite and include people of all abilities. Three standard swings and two wheelchair accessible swings hang from a cloud-shaped metal canopy. The swings face each other, fostering community and a sense of belonging." Isometric Studios, Cloud Swing, 2023, Stainless Steel. Near #616 on map
Cloud Swing by Isometric Studios These pictures are mock-ups of the sculpture. The work is currently being installed at GFS. "Cloud Swing is a sculpture designed to inspire a world in which public art and play invite and include people of all abilities. Three standard swings and two wheelchair accessible swings hang from a cloud-shaped metal canopy. The swings face each other, fostering community and a sense of belonging." Isometric Studios, Cloud Swing, 2023, Stainless Steel. Near #616 on map

Cloud Swing by Isometric Studios

These pictures are mock-ups of the sculpture. The work is currently being installed at GFS. "Cloud Swing is a sculpture designed to inspire a world in which public art and play invite and include people of all abilities. Three standard swings and two wheelchair accessible swings hang from a cloud-shaped metal canopy. The swings face each other, fostering community and a sense of belonging." Isometric Studios, Cloud Swing, 2023, Stainless Steel. Near #616 on map

Cloud Swing by Isometric Studios

These pictures are mock-ups of the sculpture. The work is currently being installed at GFS. "Cloud Swing is a sculpture designed to inspire a world in which public art and play invite and include people of all abilities. Three standard swings and two wheelchair accessible swings hang from a cloud-shaped metal canopy. The swings face each other, fostering community and a sense of belonging." Isometric Studios, Cloud Swing, 2023, Stainless Steel. Near #616 on map

Spartan by Berj Krikorian Stone sculpture sits on top of small hill with sparse grass, wood chips, and small tree roots. Space enough for a duet on hill itself, space down the hill and surrounding area that can be explored as well. Berj Krikorian, Spartan, 1993, Vermont Marble, 66 in x 72 in x 54 in, Gift of The Seward Johnson Atelier, In Exchange with Philip and Muriel Berman.
Spartan by Berj Krikorian Stone sculpture sits on top of small hill with sparse grass, wood chips, and small tree roots. Space enough for a duet on hill itself, space down the hill and surrounding area that can be explored as well. Berj Krikorian, Spartan, 1993, Vermont Marble, 66 in x 72 in x 54 in, Gift of The Seward Johnson Atelier, In Exchange with Philip and Muriel Berman.
Spartan by Berj Krikorian Stone sculpture sits on top of small hill with sparse grass, wood chips, and small tree roots. Space enough for a duet on hill itself, space down the hill and surrounding area that can be explored as well. Berj Krikorian, Spartan, 1993, Vermont Marble, 66 in x 72 in x 54 in, Gift of The Seward Johnson Atelier, In Exchange with Philip and Muriel Berman.

Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Cuckoo's Nest by Zoran Mojsilov Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.
Cuckoo's Nest by Zoran Mojsilov Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.
Cuckoo's Nest by Zoran Mojsilov Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.
Cuckoo's Nest by Zoran Mojsilov Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)
Hillary by Robert Murray On cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature. Robert Murray, Hillary, 1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. #322 on map https://en.wikipedia.org/wiki/Robert_Murray_(artist)

Skyhook by John Newman The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman 2 The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman 4 The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman 5 The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.
Skyhook by John Newman 6 The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net # 202 on map
Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net # 202 on map
Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net # 202 on map
Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #202 on map www.beverlypepper.net
Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #202 on map www.beverlypepper.net
Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #202 on map www.beverlypepper.net
Split Ritual II by Beverly Pepper On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. # 202 on map www.beverlypepper.net

Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.
Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.
Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.
Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.
Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.
Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.
Beast by Karen Petersen Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.
Space, Conquer or Die – Swiatowid Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. www.ecalderpowel.com/ #305 on map
Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #305 on map
Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #305 on map
Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #305 on map
Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #305 on map
Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #305 on map
Schatz's Spaceship by E.C. Powell Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #305 on map

Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Surrounded by grass. Concrete base is quite large and can easily be entered into. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.
Converge: Ghraib Bag by Michael Rees Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Sumo by Ernest Shaw Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.
Sumo by Ernest Shaw Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.
Sumo by Ernest Shaw Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.
Sumo by Ernest Shaw Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.

Arch II by Elizabeth Strong-Cuevas Work sits on concrete base and then is surrounded by grass. Near museum building. Elizabeth Strong-Cuevas, Arch II, 1993, aluminum, 144 in x 132 in x 60 in, Grounds For Sculpture, Gift of the Artist. #333 on map. www.strongcuevassculpture.com
Arch II by Elizabeth Strong-Cuevas Work sits on concrete base and then is surrounded by grass. Near museum building. Elizabeth Strong-Cuevas, Arch II, 1993, aluminum, 144 in x 132 in x 60 in, Grounds For Sculpture, Gift of the Artist. #333 on map. www.strongcuevassculpture.com
Arch II by Elizabeth Strong-Cuevas Work sits on concrete base and then is surrounded by grass. Near museum building. Elizabeth Strong-Cuevas, Arch II, 1993, aluminum, 144 in x 132 in x 60 in, Grounds For Sculpture, Gift of the Artist. #333 on map. www.strongcuevassculpture.com

Standing Vase W/Five Flowers - Surls On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map.
Standing Vase W/Five Flowers - Surls On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map.
Standing Vase W/Five Flowers - Surls On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map.

Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/
Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/
Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/
Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/
Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/
Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/
Three Graces by Toshiko Takaezu In a small grove of trees. Ground is mostly grass and some mulch. Near paths and a boundary wall. Otherworldly feel. Pieces are taller than average height person. Toshiko Takaezu, Three Graces, 1994, bronze, 3 pieces, each element: 70 in x 23 in x 23 cm, Grounds For Sculpture, Gift of The Seward Johnson Atelier. #312 on map. www.takaezustudio.com/

Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.
Three Indeterminate Lines by B.Venet Surrounded by a large circle of grass and then a gravel circular path. Short video of the artist talking about this piece is linked. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Resting Place by Roy Wilson Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. www.roywilsonart.com
Resting Place by Roy Wilson 2 Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. www.roywilsonart.com
Resting Place by Roy Wilson 3 Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. www.roywilsonart.com
Resting Place by Roy Wilson 4 Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. www.roywilsonart.com

Hawthorn Tree II by Isaac Witkin Large work mounted on wooden platform in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. #541 on map
Hawthorn Tree II by Isaac Witkin Large work mounted on wooden platform in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. #541 on map
Hawthorn Tree II by Isaac Witkin Large work mounted on wooden platform in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. #541 on map
Hawthorn Tree II by Isaac Witkin Large work mounted on wooden platform in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. #541 on map
Hawthorn Tree II by Isaac Witkin Large work mounted on wooden platform in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. #541 on map

Sculpture Options

Rondo VI by Bruce Beasley

Large and fairly flat area of grass around this looping stainless steel sculpture. Possible to move through with a relatively fair amount of ease. Bruce Beasley, Rondo VI, 2017, stainless steel, 154 in x 208 in x 137 in, courtesy of the Artist. www.brucebeasley.com #804 on map.

Rondo VI by Bruce Beasley

Large and fairly flat area of grass around this looping stainless steel sculpture. Possible to move through with a relatively fair amount of ease. Bruce Beasley, Rondo VI, 2017, stainless steel, 154 in x 208 in x 137 in, courtesy of the Artist. www.brucebeasley.com #804 on map.

Rondo VI by Bruce Beasley

Large and fairly flat area of grass around this looping stainless steel sculpture. Possible to move through with a relatively fair amount of ease. Bruce Beasley, Rondo VI, 2017, stainless steel, 154 in x 208 in x 137 in, courtesy of the Artist. www.brucebeasley.com #804 on map.

Pitchfork Lightning by Susan Pullman Brooks

This piece is near the lake, the main walking path, and a small bamboo grove. Mulch covers the ground. Space would allow for a smaller group of dancers not a large ensemble. Susan Pullman Brooks, Pitchfork Lightning, bronze, 120 x 20 x 20 n, Courtesy of the Artist. #619 on map. smpbrooks.com

Pitchfork Lightning by Susan Pullman Brooks

This piece is near the lake, the main walking path, and a small bamboo grove. Mulch covers the ground. Space would allow for a smaller group of dancers not a large ensemble. Susan Pullman Brooks, Pitchfork Lightning, bronze, 120 x 20 x 20 n, Courtesy of the Artist. #619 on map. smpbrooks.com

Pitchfork Lightning by Susan Pullman Brooks

This piece is near the lake, the main walking path, and a small bamboo grove. Mulch covers the ground. Space would allow for a smaller group of dancers not a large ensemble. Susan Pullman Brooks, Pitchfork Lightning, bronze, 120 x 20 x 20 n, Courtesy of the Artist. #619 on map. smpbrooks.com

Sinjin by Zero Higashida

Sinjin by Zero Higashida

Sinjin by Zero Higashida

Sinjin by Zero Higashida

Sinjin by Zero Higashida

Cloud Swing by Isometric Studios

Cloud Swing by Isometric Studios

Spartan by Berj Krikorian

Spartan by Berj Krikorian

Spartan by Berj Krikorian

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Hillary by Robert Murray

Skyhook by John Newman

Skyhook by John Newman

Skyhook by John Newman

Skyhook by John Newman

Skyhook by John Newman 2

Skyhook by John Newman 4

Skyhook by John Newman 5

Skyhook by John Newman 6

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.